Evaluations

The Lullaby Project: areas of change and mechanisms of impact

Creative projects and their potential towards positive psychosocial change have been consistently evidenced, particularly with vulnerable groups. The Lullaby Project (developed by Carnegie Hall’s Weill Music Institute in New York) has now been implemented in UK through two pilot experiences where the Irene Taylor Trust (who led the initiative), brought ... read on →

Author Sara Ascenso

Published November 2017

Artform Music

Organisations Royal Philharmonic Orchestra, The Irene Taylor Trust   Project venues HMP Wandsworth, Praxis Community Projects

Participant type Female Adult Migrants, Adult Musicians, Male Adult Offenders

Sample size: 21

Exploring Good Vibrations projects with vulnerable and challenging women in prison

This research involved 26 women who had successfully completed a Good Vibrations project, finding that:

  • for women in prison, taking part in a Good Vibrations project can reduce anger, worry, and levels of unhappiness, and improve social skills
  • reductions in anger, worry, and unhappiness may be sustained in the weeks ... read on →

    Author Laura Caulfield (Bath Spa University)

    Published December 2015

    Artform Music

    Organisation Good Vibrations

    Participant type Female Adult Offenders

  • Good Vibrations: health and wellbeing of older offenders

    The purpose of this research project was to explore the older offender population and there engagement with the Good Vibration project.  The research found that:

  • Older offenders also experience the same emotional benefits as the general prison population
  • Older offender’s comments on additional benefits of the Good Vibrations project for ... read on →

    Authors Laura Caulfield, Dean Wilkinson (Bath Spa University; University of Worcester)

    Published 2014

    Artform Music

    Organisation Good Vibrations

    Participant type Male Older Offenders

  • Re-imagining futures: Exploring arts interventions and the process of desistance

    Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

    Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

    Published November 2013

    Artforms Craft, Creative Writing, Music, Visual Arts

    Organisation Arts Alliance

    Participant type Male and Female Adult Offenders

    Sample size: 30

    Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

    Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

    Author Jo Cursley (University of Exeter)

    Published 2012

    Artforms Dance, Drama, Music, Visual Arts

    Participant type Male and Female Adult Offenders

    Good Vibrations: Music and social education for young offenders

    This evaluation looked at the project from the point of view of music education, identifying individual and social factors generated through musical development that also are attributed to desistence from crime. These were divided into two categories:- Individual Agency:Personal Identity Diversity Motivation Hope Self-determination Personal strengths  Social Interactions: Professional relationships ... read on →

    Author Jennie Henley (Institute of Education, University of London, University of London)

    Published August 2012

    Artform Music

    Organisation Good Vibrations   Project venue Swinfen Hall

    Participant type Male Young Offenders

    Sample size: 19

    Musical Learning and Desistance from Crime: The case of a 'Good Vibrations' Javanese Gamelan project with young offenders

    This paper discusses new empirical evidence for a positive relationship between musical learning and desistance from crime. On investigating the learning processes occurring within a Javanese gamelan project in a Young Offenders Institution, parallels between musical learning processes and the development of certain attributes linked to desistance from crime emerged.  ... read on →

    Author Jennie Henley (Institute of Education, University of London, University of London)

    Published February 2012

    Artform Music

    Organisation Good Vibrations

    Participant type Male Young Offenders

    Music in our Time - an evaluation of a participatory creative music programme for older prisoners

    An evaluation of a participatory creative music programme for older prisoners in 6 prisons to assess its impact on improving health and well being. The evaluation focused on analysing the workshop experience; benefits and opportunities of the programme; and the perspectives of the musicians. read on →

    Authors Nick de Viggiani, Patsy Long, Sheila Mackintosh (University of the West of England )

    Published October 2010

    Artform Music

    Organisation Superact

    Participant type Older Offenders

    Sample size: 52

    Continuing Positive Change in Prison and Community

    An analysis of the long-term and wider impact of the Good Vibrations Project. This report, commissioned from Birmingham City University’s Centre for Applied Criminology, looked at the impact of taking part in Good Vibrations on participants 12-18 months on, assessing the long-term institutional impact of participating and measuring whether any ... read on →

    Authors David Wilson, Laura Caulfield, Dean Wilkinson (Birmingham City University)

    Published

    Artform Music

    Organisation Good Vibrations   Project venues Eastwood Park, Grendon

    Participant type Male and Female Adult Offenders

    Sample size: 25

    The Great Escape: exploring the rehabilitative dynamics involved in 'Changing Tunes'

    The goal of this report is to develop a 'logic model' that can account for how Changing Tunes (CT) works as a rehabilitative strategy, outlining both the dynamic processes involved and their immediate/short-term and medium/longer-term impacts on the lives of participants. This analysis identified seven, key elements of the CT ... read on →

    Author Shadd Maruna (Institute of Criminology and Criminal Justice, Queen's University Belfast, Queen's University Belfast)

    Published 2010

    Artform Music

    Organisation Changing Tunes   Project venues Bristol, Bronzefield, Eastwood Park, Erlestoke, Exeter, Gloucester, Guys Marsh, Kingston, Leyhill, Parkhurst, Shepton Mallet, Winchester

    Participant type Male and Female Adult Offenders

    Sample size: 87

    All Together Now

    This study assessed the therapeutic benefits and value of taking part in Good Vibrations muisc projects - the study was written up in the Prison Service Journal in March 2007. read on →

    Author Alison Liebling (Institute of Criminology, University of Cambridge , University of Cambridge)

    Published 2007

    Artform Music

    Organisation Good Vibrations

    Participant type Female Adult Offenders

    Breaking Down Walls - The Good Vibrations Project in Prison

    This study looked at the educational benefits of taking part in Good Vibrations, setting its work in the context of prison education in the UK. It also assessed the value-for-money of Good Vibrations courses.The evaluation was specifically commissioned to build upon two earlier evaluations undertaken by Good Vibrations themselves (see ... read on →

    Authors David Wilson, Matt Logan (Birmingham City University)

    Published 2006

    Artform Music

    Organisation Good Vibrations   Project venues Brixton , Peterborough

    Participant type Male and Female Adult Offenders

    Sample size: 42

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