Evaluations

Evaluation of the use of 'Good Vibrations' percussion courses to improve motivation to change and treatment readiness with convicted sexual offenders embarking on treatment programmes

Previous research has highlighted the benefits of implementing music-centred interventions in correctional settings. The present study used a mixed method approach to explore prisoners’ experiences of a week-long Indonesian percussion music course, introduced in a UK sex offender prison to enhance motivation and readiness for change pre-treatment. Study one examined ... read on →

Authors Nicholas Blagden, Helen Elliott, Jessica Faulkner, Rebecca Lievesley, Verena Sperling, Belinda Winder (Nottingham Trent University)

Published December 2015

Artform Music

Organisation Good Vibrations   Project venue Whatton

Participant type Male Adult Offenders

The Arts of Desistance: Evaluation of the Koestler Trust Arts Mentoring Programme for Former Prisoners

This report presents and discusses the findings of an evaluation of an arts-based mentoring scheme that is aimed at prolonging and enhancing desistance from crime through providing former prisoners with opportunities to continue engaging with the arts after release. The evaluation focused both on the implementation and effectiveness of the ... read on →

Author Leonidas Cheliotis (London School of Economics)

Published October 2014

Artforms Creative Writing, Multi-Arts, Music, Visual Arts

Organisation Koestler Trust   Project venues Parc, Peterborough

Participant type Male and Female Adult Ex offenders

Sample size: 60

Musical Pathways: an exploratory study of young people in the criminal justice system, engaged with a creative music programme

118 young people engaged in a participatory music programme across eight youth justice settings in England and Wales. The research objectives were to [1] investigate meanings and values young offenders attribute to music, their relationships with music, and its significance to their health, wellbeing, lifestyle and social status; [2] observe ... read on →

Authors Norma Daykin, Nick de Viggiani, Yvonne Moriaty, Paul Pilkington (University of the West of England )

Published January 2014

Artform Music

Organisations Superact, University of the West of England

Participant type Male and Female Juvenile Young People at risk

Sounding Out - Jim Cartwright

The report followed Music in Prisons as they ran a pilot ‘through the gate’ project which, through music, aimed to provide longer-term rehabilitative opportunities to previous project participants in order to help bridge the gap between life inside and out prison. The key aims were to assist reintegration; impact on ... read on →

Published 2013

Artform Music

Participant type Male and Female Adult Ex offenders

Sample size: 7

Young People not in Education, Employment or Training (NEET) and Music Making

An evidence review of published, international, peer-reviewed and ‘grey’ literature that explores the effects of music making on NEET young people or those ‘at risk’ of becoming NEET, including a specfic review of 34 Youth Music funded projects that delivered music-related activity to NEET young people or those ‘at risk’ ... read on →

Published September 2011

Artform Music

Organisation Youth Music

Participant type Male and Female NEET

Challenging Offending Behaviour with a Creative Twist

A review of arts-based practice within Leicester City Youth Offending Service (YOS) engaging young people at risk of offending - including YP on RAP and ISSP programmes. Descriptions of visual, drama, media and music interventiions including case study projects from organisations such as Soft Touch as well as the national ... read on →

Published 2010

Artforms Drama, Media, Multi-Arts, Music, Needlework, Radio, Visual Arts

Organisation Soft Touch Arts   Project venue Leicester

Beats & Bars - Music in Prisons: An Evaluation

The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →

Authors Alexandra Cox, Loraine Gelsthorpe (Institute of Criminology, University of Cambridge , University of Cambridge)

Published

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Brixton , Edmunds Hill, Littlehey, Manchester, Wandsworth, Wayland, Whatton

Participant type Male Adult Offenders

Sample size: 69

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