Evaluations

Exploring Good Vibrations projects with vulnerable and challenging women in prison

This research involved 26 women who had successfully completed a Good Vibrations project, finding that:

  • for women in prison, taking part in a Good Vibrations project can reduce anger, worry, and levels of unhappiness, and improve social skills
  • reductions in anger, worry, and unhappiness may be sustained in the weeks ... read on →

    Author Laura Caulfield (Bath Spa University)

    Published December 2015

    Artform Music

    Organisation Good Vibrations

    Participant type Female Adult Offenders

  • Evaluation of the use of 'Good Vibrations' percussion courses to improve motivation to change and treatment readiness with convicted sexual offenders embarking on treatment programmes

    Previous research has highlighted the benefits of implementing music-centred interventions in correctional settings. The present study used a mixed method approach to explore prisoners’ experiences of a week-long Indonesian percussion music course, introduced in a UK sex offender prison to enhance motivation and readiness for change pre-treatment. Study one examined ... read on →

    Authors Nicholas Blagden, Helen Elliott, Jessica Faulkner, Rebecca Lievesley, Verena Sperling, Belinda Winder (Nottingham Trent University)

    Published December 2015

    Artform Music

    Organisation Good Vibrations   Project venue Whatton

    Participant type Male Adult Offenders

    Good Vibrations: health and wellbeing of older offenders

    The purpose of this research project was to explore the older offender population and there engagement with the Good Vibration project.  The research found that:

  • Older offenders also experience the same emotional benefits as the general prison population
  • Older offender’s comments on additional benefits of the Good Vibrations project for ... read on →

    Authors Laura Caulfield, Dean Wilkinson (Bath Spa University; University of Worcester)

    Published 2014

    Artform Music

    Organisation Good Vibrations

    Participant type Male Older Offenders

  • Re-imagining futures: Exploring arts interventions and the process of desistance

    Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

    Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

    Published November 2013

    Artforms Craft, Creative Writing, Music, Visual Arts

    Organisation Arts Alliance

    Participant type Male and Female Adult Offenders

    Sample size: 30

    Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

    Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

    Author Jo Cursley (University of Exeter)

    Published 2012

    Artforms Dance, Drama, Music, Visual Arts

    Participant type Male and Female Adult Offenders

    Good Vibrations: Music and social education for young offenders

    This evaluation looked at the project from the point of view of music education, identifying individual and social factors generated through musical development that also are attributed to desistence from crime. These were divided into two categories:- Individual Agency:Personal Identity Diversity Motivation Hope Self-determination Personal strengths  Social Interactions: Professional relationships ... read on →

    Author Jennie Henley (Institute of Education, University of London, University of London)

    Published August 2012

    Artform Music

    Organisation Good Vibrations   Project venue Swinfen Hall

    Participant type Male Young Offenders

    Sample size: 19

    Musical Learning and Desistance from Crime: The case of a 'Good Vibrations' Javanese Gamelan project with young offenders

    This paper discusses new empirical evidence for a positive relationship between musical learning and desistance from crime. On investigating the learning processes occurring within a Javanese gamelan project in a Young Offenders Institution, parallels between musical learning processes and the development of certain attributes linked to desistance from crime emerged.  ... read on →

    Author Jennie Henley (Institute of Education, University of London, University of London)

    Published February 2012

    Artform Music

    Organisation Good Vibrations

    Participant type Male Young Offenders

    Inspiring Change: Final Project Report of the Evaluation Team

    An evaluation of a series of arts-based interventions across the Scottish criminal justice system, focusing on the impact of engagement in these programmes on offenders’ attitudes and behaviours as well as their ability to learn.The findings concentrate on examining the quality of the arts experience, the people and processes involved, ... read on →

    Authors KIrstin Anderson, Sarah Colvin, Fergus McNeill, Mike Nellis, Katie Overy, Richard Sparks (Scottish Centre for Crime & Justice Research, University of Glasgow, University of Glasgow)

    Published February 2011

    Artforms Creative Writing, Drama, Music, Visual Arts

    Organisation Motherwell College   Project venues Barlinnie, Greenock, Open Estate, Polmont, Shotts

    Participant type Male Adult Offenders, Male Young Offenders, Female Adult Offenders

    Sample size: 219

    Music in our Time - an evaluation of a participatory creative music programme for older prisoners

    An evaluation of a participatory creative music programme for older prisoners in 6 prisons to assess its impact on improving health and well being. The evaluation focused on analysing the workshop experience; benefits and opportunities of the programme; and the perspectives of the musicians. read on →

    Authors Nick de Viggiani, Patsy Long, Sheila Mackintosh (University of the West of England )

    Published October 2010

    Artform Music

    Organisation Superact

    Participant type Older Offenders

    Sample size: 52

    Continuing Positive Change in Prison and Community

    An analysis of the long-term and wider impact of the Good Vibrations Project. This report, commissioned from Birmingham City University’s Centre for Applied Criminology, looked at the impact of taking part in Good Vibrations on participants 12-18 months on, assessing the long-term institutional impact of participating and measuring whether any ... read on →

    Authors David Wilson, Laura Caulfield, Dean Wilkinson (Birmingham City University)

    Published

    Artform Music

    Organisation Good Vibrations   Project venues Eastwood Park, Grendon

    Participant type Male and Female Adult Offenders

    Sample size: 25

    The Great Escape: exploring the rehabilitative dynamics involved in 'Changing Tunes'

    The goal of this report is to develop a 'logic model' that can account for how Changing Tunes (CT) works as a rehabilitative strategy, outlining both the dynamic processes involved and their immediate/short-term and medium/longer-term impacts on the lives of participants. This analysis identified seven, key elements of the CT ... read on →

    Author Shadd Maruna (Institute of Criminology and Criminal Justice, Queen's University Belfast, Queen's University Belfast)

    Published 2010

    Artform Music

    Organisation Changing Tunes   Project venues Bristol, Bronzefield, Eastwood Park, Erlestoke, Exeter, Gloucester, Guys Marsh, Kingston, Leyhill, Parkhurst, Shepton Mallet, Winchester

    Participant type Male and Female Adult Offenders

    Sample size: 87

    Beats & Bars - Music in Prisons: An Evaluation

    The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →

    Authors Alexandra Cox, Loraine Gelsthorpe (Institute of Criminology, University of Cambridge , University of Cambridge)

    Published

    Artform Music

    Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Brixton , Edmunds Hill, Littlehey, Manchester, Wandsworth, Wayland, Whatton

    Participant type Male Adult Offenders

    Sample size: 69

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