Evaluations

The Lullaby Project: areas of change and mechanisms of impact

Creative projects and their potential towards positive psychosocial change have been consistently evidenced, particularly with vulnerable groups. The Lullaby Project (developed by Carnegie Hall’s Weill Music Institute in New York) has now been implemented in UK through two pilot experiences where the Irene Taylor Trust (who led the initiative), brought ... read on →

Author Sara Ascenso

Published November 2017

Artform Music

Organisations Royal Philharmonic Orchestra, The Irene Taylor Trust   Project venues HMP Wandsworth, Praxis Community Projects

Participant type Female Adult Migrants, Adult Musicians, Male Adult Offenders

Sample size: 21

Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

Author Jo Cursley (University of Exeter)

Published 2012

Artforms Dance, Drama, Music, Visual Arts

Participant type Male and Female Adult Offenders

Music in our Time - an evaluation of a participatory creative music programme for older prisoners

An evaluation of a participatory creative music programme for older prisoners in 6 prisons to assess its impact on improving health and well being. The evaluation focused on analysing the workshop experience; benefits and opportunities of the programme; and the perspectives of the musicians. read on →

Authors Nick de Viggiani, Patsy Long, Sheila Mackintosh (University of the West of England )

Published October 2010

Artform Music

Organisation Superact

Participant type Older Offenders

Sample size: 52

The Great Escape: exploring the rehabilitative dynamics involved in 'Changing Tunes'

The goal of this report is to develop a 'logic model' that can account for how Changing Tunes (CT) works as a rehabilitative strategy, outlining both the dynamic processes involved and their immediate/short-term and medium/longer-term impacts on the lives of participants. This analysis identified seven, key elements of the CT ... read on →

Author Shadd Maruna (Institute of Criminology and Criminal Justice, Queen's University Belfast, Queen's University Belfast)

Published 2010

Artform Music

Organisation Changing Tunes   Project venues Bristol, Bronzefield, Eastwood Park, Erlestoke, Exeter, Gloucester, Guys Marsh, Kingston, Leyhill, Parkhurst, Shepton Mallet, Winchester

Participant type Male and Female Adult Offenders

Sample size: 87

Beats & Bars - Music in Prisons: An Evaluation

The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →

Authors Alexandra Cox, Loraine Gelsthorpe (Institute of Criminology, University of Cambridge , University of Cambridge)

Published

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Brixton , Edmunds Hill, Littlehey, Manchester, Wandsworth, Wayland, Whatton

Participant type Male Adult Offenders

Sample size: 69

Fair!: An evaluation of a Music in Prisons and National Youth Theatre collaboration at HMPYOI Bullwood Hall

Fair is an evaluation of a collaborative project between Music in Prisons and the National Youth Theatre. The project involved the creation of an original piece of music theatre devised and performed by 19 women. This report summarises the immediate effects of the project and the results of evaluation and ... read on →

Author Georgie Goddard

Published

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venue Bullwood Hall

Time Well Spent

Time Well Spent shares some of the key lessons learned from Music in Prisons’ programmes of music projects over six years, focusing on the stages of project delivery and the impact on participants, staff and musicians.It follows the journey of all projects from the excitement of the initial idea or ... read on →

Author Angus McLewin (Angus McLewin Associates)

Published 2005

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Askham Grange, Bullingdon, Bullwood Hall, Frankland, Holloway

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